Join The Year-Up Program Essay Sample Essays

Join The Year-Up Program Essay Sample Essays Join The Year-Up Program Essay Sample Paper Join The Year-Up Program Essay Sample Paper I can say the reason I want to join the year-up program is that I am young and very devoted to learning new things. Also, I have reached that point in my life when I realize that I have to be more independent, responsible, and mature. I have to make my own smart decisions to determine how successful Ill be in life. The reason I think I am a good candidate for this year-up program is that Im used to the two terms hard work and determination. The reason I say this is because I started this school on the Southside of Chicago Christian Fenger High School. As I began to go there I realized that high school, in particular, wasnt pushing me to my full potential. I needed something that would push me to my highest limit. My road to the year-up program So I started to look around for better schools in the area. That is when I ran across DeVry Advantage Academy High School. Its a program that gave me the opportunity to graduate with my college degree in Network Systems Administration when I graduate from high school. And Boy did I pick a school, DeVry pushed me to limits that I never thought I had. Coming from a different background I was very quiet and antisocial my junior year at DeVry because I didn’t know how to talk to other races of people, It was a big step and a big change for me. But as I started to go to the program I started to warm up to the idea and the people that I was going to school with on a daily basis was pretty cool. I have learned a lot about different culture and ethnicity. At DeVry, I can’t say that I have made friends I have made the family. There are many words that I could give you to describe me but there is one word in particular that I could say that stands out from the rest, and that word is dedication. My motivation to the year-up program When I start something I stick with it to the end, no matter how many people doubt or look down on me I will always stay strong until the end. I have overcome so much in my life to just give up now; when I was 15 years old I lost my mother to cancer. This left me emotionally scared because I was very close to my mother ( Best Friend) and the thought of never seeing her again just killed me inside. As time passed I stopped really caring about a lot of things, such as school and even my own safety. I started to get into a lot of fights and really didn’t care much for school work. I cut myself from friends and family and just stayed to myself. Until one day I heard my father in his room crying it was kind of a shock to hear him that way because I never heard him cry before. Then I realized that I wasn’t the only person that lost someone special. My father was left with 4 children to take care of all by him, I had to realize that he didn’t have help anymore that he had to be the mother and father of the house and the things I was doing was just adding on to the stress from my mother passing away. So then I asked myself the most life-changing questions that I have ever asked myself what would my mother want?, what do I really want out of life? This caused me to go to school do all my work and even start communicating with my family and friends again. Then I realized that I really enjoy learning new things and advancing intellectually. I can say that my worst fear is being a failure Being a grown man wishing I finished high school or college, stressed out trying to figure how I’m about to pay my rent for next month and not being able to provide and help my family when they really need it. Both sister and my brother and even my father have recently had children. This has made life a little more stressful and hard. My brother and sisters have dropped out of college and started work at minimum wage jobs to provide for their children. I sometimes wish I could show them that their lives don’t have to stop here. And show my father that he is not alone and show him that I can be that man that he and mother raised me to be.

Everyday Use By Alice Walker Essays - Everyday Use, Quilting, Quilt

Everyday Use By Alice Walker Essays - Everyday Use, Quilting, Quilt Everyday Use By Alice Walker Through contrasting family members and views in Everyday Use, Alice Walker illustrates the importance of understanding our present life in relation to the traditions of our own people and culture. Using careful descriptions and attitudes, Walker demonstrates which factors contribute to the values of ones heritage and culture; she illustrates that these are represented not by the possession of objects or mere appearances, but by ones lifestyle and attitude. In Everyday Use Walker personifies the different sides of culture and heritage in the characters of Dee and the mother (the narrator). Dee can be seen to represent a materialistic, complex, and modern way of life where culture and heritage are to be valued only for their trendy-ness and aesthetic appeal. Mother on the other hand, represents a simple content way of life where culture and heritage are valued for both its usefulness as well as its personal significance. The story clearly endorses Mamas simple, unsophisticated view of heritage, and shows disdain for Dees materialistic connection to her heritage. This is demonstrated from the outset of the short story, we learn very quickly that the mother (narrator) has inherited many customs and traditions from her ancestors. She describes herself as a large big-boned woman with rough man-working hands (485). She also describes here various abilities including, I can kill and clean a hog as mercilessly as a manI can work outside all day, breaking ice to get water for washing. I can eat pork liver cooked over the open fire minutes after it comes steaming from the hog. One winter I knocked a bull calf straight in the brain between the eyes with a sledgehammer and had the meat hung up to chill by nightfall. (485) While these feats are not extraordinary, Walker exemplifies what Mother has learned from her ancestors, and that being resilient and tough is a part of her heritage. Mother is very proud of her abilities and accomplishments. Mrs. Johnson, the mother, describes Dee as light skinned with nice hair and a full figure (486). She recounts Dees childhood and her appreciation of nice things. She was not the least upset when the family home burned to the ground while she was just a girl, Why dont you do a dance around the ashes? Id wanted to ask her. She had hated the house that much. (486) Dees character in the story is a direct relation to any number of people in society that do not know or are confused about their heritage. She is struggling to create an identity for herself, and is confused as to what it encompasses. She grasps at African tradition and culture, yet fails to acknowledge her own African American culture. This happened all over America, particularly in the North, in the 1960s, following the civil rights movement. Dee is misconstruing her heritage as material goods, as opposed to her ancestors habits and way of life. This may be due in part to her leaving her hometown and becoming an educated, sophisticated young woman. Dees direct heritage is that of African Americans. When Dee informs her mother and Maggie she has changed her name she states, I couldnt stand it anymore, being named after the people that oppress me. (488) Dees mother is quick to point out that Dee is in fact named after her aunt, who was named after her grandmother. While Dee may not be an African name it is based on ancestors, tradition, and the heritage of the Johnson family. Dee discards this name in favor of an African name, Wangero, that, although is African, is not directly related to her heritage. It has not been passed down through generations, nor does it symbolize anything directly related to her family. The contradiction of culture and heritage becomes more evident as the quilts are introduced into the story. While the Johnsons sit down to lunch, Dee begins to admire the butter churn and the dasher. Although she has a brief recollection of Uncle Buddy whittling the churn, she is much more interested in the churn top as a centerpiece for her alcove table. Following lunch Dee re-discovers the quilts. The quilts were composed of an eclectic array of material including,

Corruption in South Africa Assignment Example | Topics and Well Written Essays - 750 words

Corruption in South Africa - Assignment Example This insinuates that South African companies are much corrupts than 13 other large economies globally as their bribery likelihood is three times 13 big economies all over the world. Therefore corruption in South Africa has entered a level that is very cumbersome to withdraw from as corruption cases affect both the private and the public sectors (Britten. 2006. Pg 323). There are many types of corruption cases experienced today in the world. Therefore corruption is divided into six major sections. These sections include; systematic, sporadic, political, grand, and petty as well as legal and moral corruption. This document captures the political and bureaucratic types of corruption which are very popular in South Africa. Political corruption is associated with grand corruption as it involves large sums of money and national wealth lost as a result of corruption. This type of corruption involves the public and private sectors whereby a public property of funds generated by the government through taxes is illegitimately converted into sequestered-regarding payoffs. This type of corruption is commonly practice by political leaders who hold various ministerial posts in the government and the juniors who act as agents in the corruption process. It is also attributed to top civil service officials who use public funds to satisfy their own desires. The misuse of public funds is common in the South Africa national corruption cases. Most media houses highlight various corruption allegations related to the misuse of public funds by top government officials. On the 21st of February 2013, News24 newspaper had headlines that showed the conviction of 1000 people over allegations of housing fraud. The headlines st ated ‘1000 officials convicted of housing fraud’ (2013. Pg13). President Jacob Zuma has also had his fair share of corruption allegations. He was accused of using government money to upgrade his home. The telegraph newspaper had major highlights

Impact and Research Findings Assignment Example | Topics and Well Written Essays - 1000 words

Impact and Research Findings - Assignment Example Automated processes would also eliminate or reduce product defects, which would save the company money and improve the production process. Automation would ensure that all processes are conducted effortlessly and that they would run the same way each time they are conducted. No human errors would be allowed. As a result, there would be fewer errors made and errors may not just be defects, but can be about erring that can affect the production process as a whole (Benhabib, 2003). Automation would eliminate or reduce monotony. As humans, it is normal to get bored, especially where repetitive tasks are involved. Monotony slows down performance and increases the chances of defects occurring. There is no monotony in automated processes, no matter the frequency, so productivity is not affected. Processes are conducted at the same speed each time. Automation would help the company comply with internal or external requirements, e.g. statutory requirements, and facilitate cost savings by redu cing the training of required staff. Without automation a lot of time would have been required to train staff to perform even the most repetitive of duties, especially if the duties required a high degree of precision/accuracy. With automation, however, far less training would be required, so overheads would be significantly reduced. Automation would make auditing the company a simple task in itself, so less time would be required to analyze and evaluate processes and the production process as a whole. Due to their high degree of flexibility, automated processes would make the company flexible as well. It would be easier to make changes, or at least much easier than it would be to revise tasks that involve only humans. This level of flexibility would be vital if changes are needed at short notice. The fact that defects would be reduced would mean that customer satisfaction is ensured to a high degree. Therefore, while

Elastic and Inelastic Demand Essay Example for Free

Elastic and Inelastic Demand Essay I would say that when I think of a company that has inelastic demand on their products it would have to be Apple. Apple charges above average prices for their phones, computers and music players all with the marketing strategy of superior quality. When a company achieves inelastic demand it is because of two possible reasons. They have either developed highly differentiated products or brands or they have achieved a monopoly on a market or product category. (Tedesco, 2011) If you look at Apple they have a combination of both. You wouldn’t necessarily label Apple as a monopoly but they do possess a large amount of influence on how other tech companies develop their products. This is shown in various lawsuits that have been brought by Apple against other tech companies for patent violations. Apple has however developed superior products in comparison to others. Apple has marketed their high-end electronic devices to the point that they can introduce similar devices every few months and make people think that they are improved enough over the older models to constitute a needed upgrade. The marketing is brilliant. If I was talking to the president of Apple about what their pricing strategies should be I would bring up the possibility of a downgraded model to reach the customer base who can’t afford $600 every few months for a new phone or tablet. Even though Apple has monopolized on the higher income customer base they have untapped potential in the lower to middle income customer base. Cell phones are deemed as a necessity by many and if the price is right most consumers will spend the money on a product that is considered superior to others in the marketplace. While researching different articles for this assignment I came across an article about the elastic demand of sports tickets, especially Super Bowl tickets. When I was trying to think of a company with elastic demand, the NFL never crossed my mind but the NFL is a profit generating entity. The article cited the difference in ticket prices in tier seating between the Super Bowl in New York City and the Super Bowl in New Orleans. The prime examples showed that club-level tickets at MetLife Stadium would cost $1400 more than the similar seats at the Super Bowl in New Orleans. The article attributed this to the marketability of the venue. The author stated that most sports teams price their ticket inventories in the inelastic portion of their demand function because,† teams charge too low a price to maximi ze ticket  revenues. Part of the strategy in doing this is to ensure maximum attendance so as to ensure greater revenue streaming from complementary purchases associated with sporting attendance†¦such as concessions, parking, and merchandise.† (Rishe, 2013) If I were to talk to the president of the NFL I would suggest putting a cap on Super Bowl tickets so that a more diverse group of fans could attend the Super Bowl. As of now the only fans that attend a Super Bowl are the fans with a large amount of expendable income. If tickets were more attainable by the â€Å"common† fan they would generate as much money but also accommodate a much wider consumer market. Bibliography Rishe, P. (2013, September 19). SuperBowl XLVIII Pricing: A Lesson In Demand Elasticity. Retrieved September 27, 2014, from Forbes.com: http://www.forbes.com/sites/prishe/2013/09/19/super-bowl-xlviii-pricing-a-lesson-in-demand-elasticity/ Tedesco, T. (2011, May 20). View from Mount Olympus. Retrieved September 26, 2014, from piworld.com: http://www.piworld.com/blog/inelasticity-demand-your-printing-services-pricing-strategy-tj-tedesco Tucker, I. B. (2013). Survey of Economics (8th ed.). Mason, Ohio, United States of America.

America Needs Affordable Health Insurance :: Argumentative Persuasive Essays

  Ã‚  Ã‚  Ã‚  Ã‚  Health Insurance is one of the nations top problems, the cost is rising for premiums, and many businesses just cannot afford it. As Americans many of us have the luxury of health insurance, but far too many of us have to go without it. This is something that always seems to brought up at congressional debates, but little is done about it. â€Å"In 2013 there were 41 million people reported with out health insurance coverage, this is too many considering those people probably were sick at some point through out the year, and they couldn’t afford treatment.† We need to find someway to make sure that every citizen of the United States is able to have affordable healthcare for themselves, and their families.   Ã‚  Ã‚  Ã‚  Ã‚  Most people rely on their employers to provide them with health insurance, but with many health care is not available through the employers. Many small businesses can simply not afford the high cost of health care, or it may be available, but the employee needs to pay the entire premiums.   A lot of employers are utilizing part time employees, the part time employees are usually not qualified for benefits, like health insurance. This is very unfortunate for these part timer’s not only because they will not get benefits such as health insurance, but also they probably have a slim chance of going full time because of the health insurance dilemma. Business owner’s need to assess what is good for them financially, and having plenty of part time employees who do not require insurance is probably the most cost effective method to keep the Business up and running.   Ã‚  Ã‚  Ã‚  Ã‚  An option for folks who have no money is Medicaid. Medicaid is designed for the very poor people. Unfortunately you must meet Medicaid guidelines in order to be eligible for it. â€Å"In order to be eligible you must make below the poverty level that the government allows, this is about $1,497 a month for a single person, also if you are a child who is under 19, if you are pregnant, if you are out of work for a long time, or if you are HIV positive, you may be eligible to apply.† These guidelines alone generally rule out many of Americans. â€Å"The U.S. Census reported young adults (18-to-24 years old) remained the least likely of any age group to have health insurance in 2001.† More than 28% of this group does not have coverage.

Death and Afterlife Beliefs Essay

There remains no scientific evidence or facts which can prove the existence of the after life. Such concepts like reincarnation, salvation, and near-death experiences have been very controversial topics of debate over the years. However, different religions, philosophies and spiritual beliefs from different cultures amazingly provide very detailed and meticulous explanation about the concept of death and the afterlife. These explanations vary as their core of ideologies and philosophies vary as well. The Mesopotamian civilization has been known for its very rich culture and tradition. During the reign of the civilization, a lot of discoveries and inventions have been made which eventually led to some modern advancement as well. In addition to this, the Mesopotamian culture also had a very interesting view of death and eternal life. According to the ancient Mesopotamian belief, the world can be divided into three different layers: these are the heaven, the netherworld and the living world (Cornell University [CU] academic site, 2004). The divine beings or the gods and goddesses are believed to reside the heavens. This place is said to be exclusive for these holy beings. The netherworld on the other hand was believed to be the â€Å"imprisoning† place after death which is also described as the house of darkness and a place, where no one, to any further extent, can escape. According to Mesopotamian myths in relation to King Gilgamesh’s adventures and stories about Ishtar, the descent to the netherworld is really frightening but inevitable, and that in fact, even Gilgamesh himself went on his adventures in trying to escape this place. Lastly, the living world was described to be the world where all living beings reside and survive the days with their humane and worldly needs. Although this culture recognizes the existence of death and afterlife in the netherworld, Mesopotamians believed that a man can still escape the course of death and the dark netherworld by being righteous and trying to connect and have an intimate relationship with God. The Egyptian tradition and beliefs of death and the afterlife on the other hand, can also be considered one of the most culturally rich traditions in the world. Deaths of Egyptians are rather commemorated and venerated than mourned. They were more focused on the preservation of the body as a positive ritual in giving the dead a pleasant afterlife state. Ancient Egyptians would also design the tombs of the dead with scriptures, holy verses, poems, and beautiful sculptures of scenes of the afterlife in the hope that the spirit of the dead will be at a peace and be granted prosperity in the afterlife. The tomb of the dead is also packed with necessities that the owner might need or want to bring with him/her in the afterlife. The afterlife in Egyptian culture was described as a place where there are beautiful canals, dams, and farms where the yield of the fruit-bearing trees and crops is never-ending (Williams, 2008). Life in ancient Egypt in general has been blessed being resided along the banks of the Nile River where people always have sufficient resources. This somehow explains why Egyptians also looks forward to a blessed afterlife. They have been used to living life bountiful with resources that is why they would always hope to find the same bountiful afterlife like the life of the living. On the other hand, the culture of the Greeks and the Romans (Greco-Romans) was rather more personified and mythical. Concepts of death and afterlife were incorporated with very detailed descriptions of gods and goddesses. The life of ancient Greeks was always bounded and guided by these gods and goddesses who were believed to have the ability to talk and live with them. According to the ancient Greek mythology, as a person dies, his/her psyche or soul is being release through a puff or breath of wind (Metropolitan Museum of Art). Death in ancient Greek tradition also had very elaborate rituals that were divided into three parts: the prothesis, ekphora and the internment. During the prothesis, relatives and loved ones of the dead come and pay respect. And during the ekphora, the dead shall be brought to the cemetery through a procession which happens before dawn. And then finally, the deceased will come to its final rest through the internment. The concept of afterlife for the Greeks was clearly described through the stories of the Iliad and Odyssey which was able to write a very detailed account of the Greek mythology. Homer noted in the Odyssey the early description of the underworld where the dead people all go. The place was described as a place underneath the earth where Hades, the brother of Zeus and Poseidon reigns. A person who enters the underworld can never go back. However, there were also stories told about great people who were able to go to the underworld to talk to their deceased loved ones and were able to go back to the world of the living. But the success of these people required trickery and deception of the king of the underworld, Hades. Hercules was one of the great Greek characters, who was able to return from the underworld. But knowing that Hercules was half-immortal, it was also understandable that he could do such a thing. And because the life of the Greeks has been closely guided by several gods and goddesses, it was also believed that a person can possibly escape the deep and frightening walls of the underworld by having a close and intimate relationship with the gods. Through this, people to whom gods and goddesses are mostly pleased are sometimes brought to the heavens (Olympus) to live an immortal life with them. The most popular story about death and afterlife in Christianity is probably that of the death and resurrection of Jesus Christ. For Christians, it was taught that Christ died on the cross, then after three days he rose from the dead and eventually rose up to the heavens, body and soul. This story has been the inspiration for the spiritual lives of all Christians. The resurrection of Christ from the dead has been the greatest affirmation to Christians that there really is life after death. And from this story, a lot have already been told in Christian bible about the life after death. This concept has been argued by the apostle Paul to the disbelievers, he said: â€Å"Now if Christ is proclaimed as raised from the dead, how can some of you say there is no resurrection of the dead? If there is no resurrection of the dead, then Christ has not been raised; and if Christ has not been raised, then our proclamation has been in vain and your faith has been in vain. † (1Corinthians 15. 12-14 qtd. in Houben). For Christian believers, every person has a soul (dualism) and that soul is what lives after the person dies. The soul can either rest in heaven or continuously suffer in hell depending on how s/he was able to live his/her life. These concepts of heaven and hell have been the guiding idea of the Christians to how they live their lives. According to teachings, one shall be accepted in heaven if s/he was able to follow the commandments of the Lord, and if s/he was able to be righteous in his life in accordance to the word of the Lord. On the other hand, one shall suffer the pains of hell if s/he did bad things in considerably most of his/her life and s/he chose to live against the will of the Lord and his teachings. Over the years, this has been the main teaching to Christians about heaven and hell. Christians would describe the heaven as the place where there are golden roads and castles. A place where there are bountiful trees and crops that never runs out of yield, and also, a place where there is no more suffering. The heaven was indeed taught as a paradise after death, where hell on the other hand was described as the complete contrary and was further depicted as the worse place one can ever be in. The burial and commemoration rights for the dead among Christians are also somewhat detailed. They would lament and pay respect to the dead for a couple of days, gathering the family, and offering flowers and prayers to the dead and to the family. During these gatherings, the dead is often remembered and prayed for. The prayers were believed to help the soul of the departed reach to the heavens easily. After the lamentation, the dead shall now be brought to its last venue where flowers and significant items to the dead are being buried with it into the grave. And the commemoration of the dead does not end there because Christians celebrate the life of the dead on the same day of their deaths every year which is called their death anniversary. Looking at these different perspectives about death and the afterlife, we can observe that there are several similarities and differences among the religions or spiritual beliefs discussed. The Mesopotamian, Greco-Roman and Christian cultures all believe in the concept of heaven or paradise and hell or underworld after death. This concept of a very beautiful and peaceful place after death has been evident in the teachings of the three cultures. All of them also taught that only righteous people can ascend to the heavens and be with the gods. The Mesopotamian and Greco-Roman cultures similarly described the underworld as the place where the dead inevitably go. These two cultures also described the underworld as place where people cannot escape anymore once they are there. While the Christians believed in the concept of hell as a frightful place where people who chose to be bad shall go after they die. The Egyptian culture also shared that similarity with that of the Christians and the Greco-Romans in terms of lamentation and burial rights. All these three cultures lament or commemorate the death of their loved ones in belief that this would please the dead. These cultures also practice very detailed burial rights in order to give the dead a peaceful cross over. There may be similarities in the practices of these religions or cultures; however their core beliefs are completely different from each other. Over the years, we have relied on spiritual and religious teachings to find hope and explanation if there really is life after we die. We as human beings have that natural urge to find out what can possibly happen to us after death, but even how different or similar religious teachings might explain death and afterlife; we must understand that the answer will always depend on what specific religious belief we stick to and what beliefs we have about life itself. These religions or spiritual beliefs may vary in explaining the concepts of death and afterlife, but these differences come from the differences they have with their ideologies.

Lars Von Trier Essay

Lars Trier was born in Kongens Lyngby, north of Copenhagen, the son of Inger Trier (nà ©e Hà ¸st, 1915—1989). He had believed that his biological father was Ulf Trier (1907—1978), until his mother revealed to him on her deathbed that he had been conceived as a result of an affair she had with her employer, Fritz Michael Hartmann. His mother considered herself a Communist, while his father was a Social Democrat, and both were committed nudists,[5] and the young Lars went on several childhood holidays to nudist camps. They regarded the disciplining of children as reactionary. Trier has noted that he was brought up in an atheist family, and that although Ulf Trier was Jewish, he was not religious. His parents did not allow much room in their household for â€Å"feelings, religion, or enjoyment†, and also refused to make any rules for their children,[6] with complex results for von Trier’s personality and development.[7] He began making his own films at the age of 11 after receiving a Super-8 camera as a gift and continued to be involved in independent moviemaking throughout his high school years.[3] In 1979, he was enrolled in the National Film School of Denmark.[8] His peers at the film school nicknamed him â€Å"von Trier†. The name is sort of an inside-joke with the von (German â€Å"of† or â€Å"from† used as a nobiliary particle), suggesting nobility and a certain arrogance, while Lars is a very common and Trier not an unusual name in Denmark.[9] He reportedly kept the â€Å"von† name in homage to Erich von Stroheim and Josef von Sternberg, both of whom also added it later in life.[10] During his time as a student at the school he made the films Nocturne and The Last Detail, both of which won Best Film awards at the Munich International Festival of Film Schools.[11][12] In 1983 he graduated with the 57-minute Images of Liberation, which became the first Danish school film to receive a regular theatrical release.[13] Europe trilogy After graduation he began work on the very stylized crime drama, The Element of Crime (Forbrydelsens element 1984), which won a technical award at the Cannes Film Festival. His next film was Epidemic (1987), which was also shown at Cannes in the Un Certain Regard section. The film is partly a dark science fiction-tale of a future plague epidemic, and partly chronicles two filmmakers (played by Lars von Trier and screenwriter Niels Và ¸rsel) preparing that film, with the two storylines ultimately colliding. For television von Trier directed Medea (1988), which won the Jean d’Arcy prize in France. It was based on a screenplay by Carl Th. Dreyer and starred Udo Kier. He completed the Europe-trilogy in 1991 with Europa (released as Zentropa in the U.S.), which won the Prix du Jury at the 1991 Cannes Film Festival[14] and picked up awards at other major festivals. In 1990 he also directed the music video for the worldwide hit â€Å"Bakerman† by Laid Back.[15] This video was reused in 2006 by the English DJ and artist Shaun Baker who did a remake of Bakerman. Zentropa and The Kingdom In 1992 he and producer Peter Aalbà ¦k Jensen founded the movie production company Zentropa Entertainment, named after a train company in Europa, their most recent film at the time.[8] The reason for doing this was to achieve financial independence and to have total creative control. The production company has produced many movies other than von Trier’s own as well as television series. It also has produced hardcore sex films: Constance (1998), Pink Prison (1999), HotMen CoolBoyz (2000) and All About Anna (2005). In order to make money for his newly founded company,[16] he made The Kingdom (Riget, 1994) and The Kingdom II (Riget II, 1997), a pair of miniseries recorded in the Danish national hospital, the name â€Å"Riget† being a colloquial name for the hospital known as Rigshospitalet (lit. The Kingdom’s Hospital) in Danish. A projected third installment in the series was derailed by the 1998 death of Ernst-Hugo Jà ¤regà ¥rd, who played Helmer, one of the ma jor characters. Dogme 95 In 1995, Lars von Trier and Thomas Vinterberg presented their manifesto for a new cinematic movement which they called Dogme 95. It would however take a while before the first of these films appeared, and at this point many thought of the concept mainly as a radical idea with no future.[citation needed] In 1996, von Trier conducted an unusual theatrical experiment in Copenhagen involving 53 actors, which he titled Psychomobile 1: The World Clock. A documentary chronicling the project was directed by Jesper Jargil, and was released in 2000 with the title De Udstillede (The Exhibited). Von Trier’s next film, Breaking the Waves (1996), the first film in von Trier’s ‘Golden Heart Trilogy’, won the Grand Prix at Cannes and featured Emily Watson, who was nominated for the Academy Award for Best Actress. Its grainy images and hand-held photography pointed towards Dogme 95. The second was The Idiots (1998), nominated for a Palme d’Or, which he presented in person at the Cannes Film Festival notwithstanding his dislike of travelling. Dancer in the Dark (2000) was the final component of the trilogy. As originator of the Dogme 95 concept, which has led to international interest in Danish film as a whole, he has inspired filmmakers all over the world.[17] Trier and Thomas Vinterberg, who created the Dogme 95 Manifesto and the â€Å"Vow of Chastity† together with their fellow Dogme directors Kristian Levring and Sà ¸ren Kragh-Jacobsen shared in 2008 the European Film Award European Achievement in World Cinema. Explicit images Von Trier’s use of sexually explicit images in The Idiots (1998) started a wave[citation needed] of arthouse mainstream films with unsimulated sex, such as Catherine Breillat’s Romance (1999), Baise-Moi (2000), Intimacy (2001), Vincent Gallo’s The Brown Bunny (2003) and Michael Winterbottom’s 9 Songs (2004). In 1998, Lars von Trier also made history by having his company Zentropa be the world’s first mainstream film company to produce hardcore pornographic films. Three of these films, Constance (1998), Pink Prison (1999) and the adult/mainstream crossover-feature All About Anna (2005), were made primarily for a female audience, and were extremely successful in Europe, with the first two being directly responsible for the March 2006 legalizing of pornography in Norway.[18] Women too like to see other people having sex. What they don’t like is the endless close-ups of hammering bodyparts without a story. Lars von Trier is the first to have realised this and produced valuable quality porn films for women. — Stern No. 40, 27 September 2007[19] Lars von Trier’s initiative spearheaded a European wave of female-friendly porn films from directors such as Anna Span, Erika Lust and Petra Joy, while von Trier’s company Zentropa was forced to abandon the experiment due to pressure from English business partners.[20] In July 2009, women’s magazine Cosmopolitan ranked Pink Prison as No. 1 in its Top Five of the best women’s porn, calling it the â€Å"role model for the new porn-generation†.[21] Lars von Trier would return to explicit images in his self-directed Antichrist (2009), exploring darker themes. 2000s In 2000, von Trier premiered a musical featuring Icelandic musician Bjà ¶rk, Dancer in the Dark. The film won the Palme d’Or at Cannes.[22] The song â€Å"I’ve Seen It All† (which Trier co-wrote) received an Academy Award nomination for Best Song. The Five Obstructions (2003), made by Lars von Trier and Jà ¸rgen Leth, is a documentary, but also incorporates lengthy sections of experimental films. The premise is that Lars von Trier challenges director Jà ¸rgen Leth, his friend and mentor, to remake his old experimental film The Perfect Human (1967) five times, each time with a different ‘obstruction’ (or obstacle) specified by von Trier.[23] He then directed two films in his announced ‘U.S. trilogy’: Dogville (2003), starring Nicole Kidman and Manderlay (2005), starring Bryce Dallas Howard in the same role – as Grace. Both films are extremely stylized, with the actors playing their parts on a nearly empty soundstage with little but chalk marks on the floor to indicate the sets. Both films had huge casts of major international actors (Harriet Andersson, Lauren Bacall, James Caan, Danny Glover, Willem Dafoe, etc.), and questioned various issues relating to American society, such as intolerance in Dogville and slavery in Manderlay. Controversy erupted on the 2004 set for Manderlay when actor John C. Reilly walked off the Trollhà ¤ttan, Sweden, set in late March. Reilly walked off the film when he learned that an upcoming scene involved the slaughter of a donkey for food. The film’s producer says the animal—who was old and not expected to live much longer—was killed off-camera by a certified veterinarian, in accordance with Swedish law. Reilly was replaced by Zeljko Ivanek.[24] The U.S. was also the scene for Dear Wendy (2005), a feature film directed by von Trier’s â€Å"Dogme-brother† Thomas Vinterberg from a script by von Trier. It starred Jamie Bell and Bill Pullman and dealt with gun worship and violence in American soci ety. In 2006, von Trier released a Danish-language comedy film, The Boss of it All. It was shot using a process that von Trier has called Automavision, which involves the director choosing the best possible fixed camera position and then allowing a computer to randomly choose when to tilt, pan or zoom. It was followed by an autobiographical film, De unge à ¥r: Erik Nietzsche sagaen del 1 (2007), scripted by von Trier but directed by Jacob Thuesen, which tells the story of von Trier’s years as a student at the National Film School of Denmark. It stars Jonatan Spang as von Trier’s alter ego, called â€Å"Erik Nietzsche†, and is narrated by von Trier himself. All main characters in the film are based on real people from the Danish film industry,[citation needed] with the thinly veiled portrayals including Jens Albinus as director Nils Malmros, Dejan ÄÅ'ukić as screenwriter Mogens Rukov and Sà ¸ren Pilmark in an especially unflattering portrayal as sex-obsessed sch ool principal Henning Camre. Von Trier’s next feature film was Antichrist, an art film about â€Å"a grieving couple who retreat to their cabin in the woods, hoping a return to Eden will repair their broken hearts and troubled marriage; but nature takes its course and things go from bad to worse†. The film, which includes sexually explicit content, stars Willem Dafoe and Charlotte Gainsbourg. It premiered in competition at the 2009 Cannes Film Festival, where the festival’s jury honoured the movie by giving the Best Actress award to Gainsbourg.[25] The Cannes Film Festival Ecumenical Jury, which gives prizes for movies that promote spiritual, humanist and universal values, also â€Å"honoured† the film with a special â€Å"anti-award†; a spokesman for the jury described it as â€Å"the most misogynist movie from the self-proclaimed biggest director in the world.†[26] In 2010 the Swedish newspaper Dagens Nyheter reported on their website that the film production company Zentropa is reportedly making more revenue from suing movie pirates in Germany that have downloaded Antichrist illegally than from box office and DVD sales, demanding a payment of around 1,300 euros per download to avoid legal action.[27] 2010s Von Trier’s latest work is Melancholia, a psychological disaster drama;[28] shot between 22 July and 8 September 2010 at Film i Và ¤st’s studios in Trollhà ¤ttan, Sweden,[29] and with exteriors in the area surrounding the Tjolà ¶holm Castle.[30] Magnolia Pictures has acquired the distribution rights for North America.[31] The film was in competition at the 2011 Cannes Film Festival.[32] Von Trier announced that after finishing Melancholia he hopes to begin production of The Nymphomaniac, a two-part film about the sexual awakening of a woman (Charlotte Gainsbourg).[33] The director explained how he got the idea for the upcoming project: â€Å"my DP on [Melancholia], Manuel Claro, at one point voiced a surprising prejudice. He urged me not to fall into the trap that so many aging directors fall into – that the women get younger and younger and nuder and nuder. That’s all I needed to hear. I most definitely intend for the women in my films to get younger and younger and nuder and nuder†.[34] The announced cast includes Gainsbourg, Stellan Skarsgà ¥rd, Shia LaBeouf, Willem Dafoe, Connie Nielsen, Jamie Bell, Jens Albinus, Jesper Christensen and Nicole Kidman. Phobias Von Trier suffers from multiple phobias, including an intense fear of flying.[35] His fear of air travel frequently places severely limiting constraints on him and his crew, necessitating that virtually all of his films be shot in either Denmark or Sweden, even those set in the United States or other foreign countries. Von Trier has had a number of his films featured at the Cannes Film Festival over the course of his career, and each time has insisted on driving from Denmark to France for the festival and back. On numerous occasions von Trier has also stated that he suffers from occasional depression which renders him incapable of performing his work and unable to fulfill social obligations.[36] Filming techniques Lars von Trier has said that â€Å"a film should be like a stone in your shoe†. In order to create original art he feels that filmmakers must distinguish themselves stylistically from other films, often by placing restrictions on the filmmaking process. The most famous restriction is the cinematic â€Å"vow of chastity† of the Dogme95 movement with which he is associated, though only one of his films, The Idiots, is an actual Dogme 95 film. In Dancer in the Dark, jump shots[37] and dramatically-different color palettes and camera techniques were used for the â€Å"real world† and musical portions of the film, and in Dogville everything was filmed on a sound stage with no set where the walls of the buildings in the fictional town were marked as lines on the floor. Von Trier often shoots digitally and operates the camera himself, preferring to continuously shoot the actors in-character without stopping between takes. In Dogville he let actors stay in character for hours, in the style of method acting. These techniques often put great strain on actors, most famously with Bjà ¶rk during the filming of Dancer in the Dark. Often he uses the same regular group of actors in many of his films: some of his frequently used actors are Jean-Marc Barr, Udo Kier and Stellan Skarsgà ¥rd. He is heavily influenced by the work of Carl Theodor Dreyer[38] and the film The Night Porter.[39] He was so inspired by the short film The Perfect Human directed by Jà ¸rgen Leth that he challenged Leth to redo the short five times in feature film The Five Obstructions.[40] Trilogies Von Trier has on occasion referred to his films as falling into thematic and stylistic trilogies. This pattern began with his first feature film, marking the beginning of The Europa Trilogy, though he claims a trilogy was not initially planned, instead being applied to the films in retrospect. The Europe trilogy illuminated the traumas of Europe in the past and future. This trilogy includes The Element of Crime (1984), Epidemic (1987) and Europa (1991). The Golden Heart trilogy was about naive heroines who maintain their ‘golden hearts’ despite the tragedies they experience. This trilogy consists of Breaking the Waves (1996), The Idiots (1998) and Dancer in the Dark (2000). While all three films are sometimes associated with the Dogme 95 movement, only The Idiots is a certified Dogme 95 film. The USA: Land of Opportunities trilogy follows the character of Grace, and is set in a stylized American past. Von Trier has stated he was inspired to make a trilogy about the United States as a reaction to Americans at the Cannes film festival who said he had no right to make the Dancer in the Dark,[8] which was often viewed as being critical of a country he has never been to (and has no intention of ever visiting, due to his phobia of travel); however, von Trier himself has stated in interviews he did not intend it to be a criticism of America, saying the film takes place in a â€Å"fictional America†. Von Trier proposed the films as ‘a series of sermons on America’s sins and hypocrisy’[citation needed], inspired by the fact that American movie makers have made many movies about places across the world to which they have not travelled. All three movies will be shot in the same distinctive style, on a bare sound stage with no set and buildings marked by lines on the floor. This style is inspired by 1970s televised theatre. The trilogy will consist of Dogville (2003), Manderlay (2005) and the so far not produced Washington. The Depression Trilogy consists of Antichrist, Melancholia and the yet to be completed, Nymphomaniac. All three star Charlotte Gainsbourg and deal with characters that deal with depression or grief in different ways. This trilogy is said to represent the current depression that von Trier himself is currently going through. The Kingdom (Riget) was planned as a trilogy of three seasons with 13 episodes in total, but the third season was not filmed due to death of star Ernst-Hugo Jà ¤regà ¥rd shortly after completion of the second season. Biological father In 1989, von Trier’s mother revealed on her deathbed that the man who he thought was his father was not, and that she had had a tryst with her former employer, Fritz Michael Hartmann (1909–2000),[41] who descended from a long line of Roman Catholic classical musicians (his grandfather was Emil Hartmann, his great grandfather J.P.E. Hartmann, his uncles included Niels Gade and Johan Ernst Hartmann and thus Niels Viggo Bentzon was his cousin). She stated that she did this in order to give her son â€Å"artistic genes†.[42] Until that point I thought I had a Jewish background. But I’m really more of a Nazi. I believe that my biological father’s German family went back two further generations. Before she died, my mother told me to be happy that I was the son of this other man. She said my foster father had had no goals and no strength. But he was a loving man. And I was very sad about this revelation. And you then feel manipulated when you really do tur n out to be creative. If I’d known that my mother had this plan, I would have become something else. I would have shown her. The slut![43] During the German occupation of Denmark, Fritz Michael Hartmann worked as a civil servant and joined a resistance group (Frit Danmark), actively counteracting any pro-German and pro-Nazi colleagues in his department.[44] Another member of this infiltrative resistance group was Hartmann’s colleague Viggo Kampmann, who would later become prime minister of Denmark.[45] After four awkward meetings with his biological father, the man refused further contact.[46] The revelations led von Trier to attempt to â€Å"erase† the connections with his stepfather by converting to Catholicism, and to rework his filmmaking into a style emphasizing â€Å"honesty†.[3] I don’t know if I’m all that Catholic really. I’m probably not. Denmark is a very Protestant country. Perhaps I only turned Catholic to piss off a few of my countrymen.[43] In 2009, he declared, â€Å"I’m a very bad Catholic. In fact I’m becoming more and more of an atheist.†[47] Controversy at 2011 Cannes Film Festival On 19 May 2011, Cannes Film Festival’s board of directors declared von Trier persona non grata for comments he made during a press conference for his film Melancholia the day before, an unprecedented move for the film festival.[48][49] Responding to a question by The Times film critic Kate Muir about his German roots and his comments in a Danish film magazine about the Nazi aesthetic, von Trier claimed to have some sympathy for and understanding of Adolf Hitler,[50] and then jokingly claimed to be a Nazi himself:[51][52] Von Trier at the 2011 Cannes Film Festival. What can I say? I understand Hitler, but I think he did some wrong things, yes, absolutely. †¦ He’s not what you would call a good guy, but I understand much about him, and I sympathize with him a little bit. But come on, I’m not for the Second World War, and I’m not against Jews. †¦ I am of course very much for Jews, no not too much, because Israel is pain in the ass, but still how can I get out of this sentence. †¦ — Press Conference for Melancholia, Cannes, 2011[53][54] Referring to the art of Nazi architect Albert Speer, von Trier added: †¦ he had some talent that was kind of possible for him to use during†¦ Ok, I’m a Nazi. Then, to Toronto Star film critic Peter Howell, who questioned whether Melancholia could be an answer to Hollywood blockbusters and asked von Trier if he could â€Å"envision doing a film on a grander scale than this†, von Trier replied: On a grander scale? Yeah. Yeah that’s what we Nazis, we have a tendency to do things on a greater scale. Yeah, maybe you could persuade me into the final solution with journalists. †¦ Hours later, von Trier released a brief statement of apology about his comments at the press conference: â€Å"If I have hurt someone this morning by the words I said at the press conference, I sincerely apologise. I am not anti-semitic or racially prejudiced in any way, nor am I a Nazi.†[55] The next day, the festival directors held an extraordinary meeting, deciding his remarks were â€Å"unacceptable, intolerable and contrary to the ideals of humanity and generosity that preside over the very existence of the festival. [†¦] The board of directors condemns these comments and declares Lars von Trier persona non grata at the Festival de Cannes, with effect immediately.†[55] Afterwards, von Trier held a news conference of his own in Danish. His first remark to the Danish journalists was: â€Å"If any of you journalists will beat me, so just do it. I will enjoy it.† He went on to say that â€Å"The Holocaust is the worst crime that ever happened. I have nothing against Jews. I have a Jewish name, and all my children have Jewish names.† He admitted that his remarks about the Nazis had been misguided, saying â€Å"It was really stupidly done and it was in the wrong forum. At the press conference with Danish journalists, there were no problems, but I do not think the international journalists understand my Danish humor.† But he also said he was proud to have been kicked out of the Cannes festival: â€Å"I am proud to have been declared ‘persona non grata’. It is perhaps the first time in cinematic history, it has happened. †¦ I think one reason is that French people treated the Jews badly during World War II. Therefore, it is a sensitive topic for them. I respect the Cannes festival very highly, but I also understand that they are very angry at me right now.†[56][55] Speaking to other news outlets he said that his comments were â€Å"very sarcastic and very rude, but that’s very Danish.† He also added, â€Å"I don’t sympathize with Hitler for one second.†[57] In the October 2011 issue of GQ, von Trier is quoted in an interview saying he was not really sorry for the comments he made, only sorry he didn’t make it clear that he was joking. He added, â€Å"I can’t be sorry for what I said—it’s against my nature.†[58] On 5 October 2011, von Trier was interviewed by police in Denmark about his remarks at Cannes. Afterwards, he announced that he had ‘decided from this day forth to refrain from all public statements and interviews’.[59] Honours Von Trier was made a Knight of the Order of the Dannebrog on 14 January 1997.[60] Ten years later von Trier decided to hand back the prize, saying that the Danish royal family are just â€Å"simple people of bad quality†.[61]

7 steps to rock your face-to-face interview

7 steps to rock your face-to-face interview It’s time for your in-person interview. Maybe you’re here after acing an initial phone interview, or maybe you just skipped straight to this stage. You have a suit cleaned and pressed, copies of your resume ready in a folder, and dreams of new business cards dancing in your head. Here are the steps you should take in order to impress your interviewer enough so you keep progressing through the hiring process. 1. Know your stuff backwards and forwards.â€Å"Do your homework† and â€Å"be prepared† should already be catch phrases burned into your brain. You should be digging deep into industry research, looking for information about the company, its competitors, and anything currently or imminently relevant in the field. Scope out some current employees on LinkedIn. Learn everything you can so you can go in and dazzle them.2. Anticipate problems you’ll be asked to solve.Set yourself apart from the crowd by making sure to brainstorm solutions to the emp loyer’s problems before the interview. The open position is probably focused on one section of the company. Have ideas ready to describe how you will help solve issues specific to the department that is hiring. Show the value of what you bring to the table- in concrete terms. Make your interview not about you personally, but about what you can do for this employer.3. Get the intel on your interviewer.Figure out who you are meeting with in advance and study up. If you’re meeting with a rep from human resources and not the person you’ll work for, prepare to tone down the lingo and industry language you would use if a company manager were interviewing you. Pitch yourself the same way (super qualified, motivated, and a great fit), but tailor your presentation to the audience.4. Build a relationship.Establish a rapport by treating your interview like a conversation. Ask questions. Answer redundant questions as though you’d never heard them before. Find a way t o let your interviewer talk about themselves or the company; it will ease your nerves and also get them to open up a bit. Remember to listen and engage- conversation is a two-way street. Being interested can often be  more important than being interesting.5. Have stories ready.Anecdotes are great illustrations to the dry bullet points of your resume. For everything positive you’re going to say about yourself, be prepared to have an anecdote to illustrate and back it up. Describe specific actions and solutions you took in tricky situations. Paint a picture of just how clutch you are under pressure.6. Show how much you want the gig.It never hurts to show your enthusiasm for the job, the industry, or the company. Don’t be so enthusiastic that you bubble over and talk through every silence with your nervousness, but do express how excited you feel about the opportunity and the potential privilege of working there.7. Strive to impress in everything you do.Make an impact f rom the second you walk in the door: this includes being punctual and dressing like a grown-up professional. Mind your body language- watch the fidgeting- and shake hands with confidence. When you look and act the part, you’ll already be at such an advantage that the rest of it will come quite easily.

9 LinkedIn Marketing Tips for Small Businesses

9 LinkedIn Marketing Tips for Small Businesses On July 10, 2014, Social Media Examiner quoted me in their compilation article 9 LinkedIn Marketing Tips From the Pros. Since I often receive questions about how companies can use LinkedIn for their marketing efforts, I thought it would be valuable to share this post with you. If you are a job seeker, all but the first of these tips apply to you! Here’s what you’ll learn about strategies to boost your LinkedIn marketing: Use LinkedIn Sponsored Updates to build credibility and exposure. Use LinkedIn’s analytics to make sure you’re getting sufficient value from your investment. (I have not used this feature but it might be the right strategy for some businesses.) Add Rich Visual Content to Your LinkedIn Profile to spice up its look and feel! Implement Influence Networking (Build real, personalized, ongoing relationships) to stand out from your competitors. Offer Value in Discussion Groups (Provide quality content to prospective buyers) to establish thought leadership and trust. Optimize Your Personal Profile (How to Write a KILLER LinkedIn Profile is a great start for this!) Tag Your Connections in Posts using the @ symbol followed by the person’s name. Focus on Small, Local Discussion Groups to make the biggest impact with your discussion participation (this was my contribution to the article!) Develop Relationships Instead of Adding Connections, through both your personal and company pages. Don’t Treat LinkedIn Like an Online Version of Your Resume – instead, be creative with your presentation of what you can do for your customers. Sell yourself based on the problems you can solve. (If you are a job seeker, you might be thinking you need to have an online version of your resume. But you can take a creative approach rather than create a carbon copy on LinkedIn. Consider what will sell you the best to a prospective employer and write your profile that way!) For expanded information on each one of these points, check out the full article at 9 LinkedIn Marketing Tips From the Pros. And if you’re a small business looking for ongoing LinkedIn marketing support, please contact us at teesupport@theessayexpert.com. We have experts we can refer you to!

Professional, Ethical, and Legal Issues in Healthcare Essay

Professional, Ethical, and Legal Issues in Healthcare - Essay Example A nurse who is a friend to the mother of the family suffering from cancer finds herself in a difficult situation in trying to be loyal to the mother, to the two sons in the family and to her profession. Having been a good mother, she chooses not to disclose her medical condition to her sons so as to avoid negatively affecting them psychologically. The ethical dilemma that the nurse finds herself in by not disclosing this information will be put in focus. Introduction There are principles that form the foundation of the ethical codes guiding the professional practice in healthcare. These are the foundations of moral theory in healthcare profession with code of ethics that call for honesty, integrity and responsibility. As such, these ethical codes that have been developed for healthcare professionals provide guidance in their practice. These would normally be created in response to anticipated or actual ethical conflicts (Schweitzer 2010). They are usually difficult to comprehend and only make sense when applied in real life in cases of ethical ambiguity. The contents in these codes vary with the risk involved in a specific profession. For example, in psychology, the code of ethics would define in greater depth the relationship with the client due to the high degree of personal relationship a psychologist would have with the client. On the other hand, there would be minimal interaction between a laboratory technician and a patient; hence the relev ant code of ethics would be more on the need for accuracy and reliability in their tests. White defines bioethics as the application of the general principles of ethics in healthcare (2005). Indeed, all the areas in health care, including staff utilization, clients’ direct care and finance allocation are bound by ethics. Ethics would raise a question but would not provide an easy answer. Among the reasons that make ethics important in the modern world include advancement in technology, changing society and more knowledgeable clients. There are three main groups in healthcare affected by ethics, namely; the providers, patient and family. They would normally have different perspectives on how they would like issues handled. This becomes more complicated when bioethics, physician theories and societal stake are considered (Warren 2011). Just like other practitioners in healthcare, nurses uphold each principle in their routine practice. However, there are times when these principles conflict calling for the nurses’ ethical decision making in choosing which of th e principles becomes priority to be upheld at that moment. In such cases of ethical dilemma, there is no ‘right’ solution. Fant defines ethical dilemma as a problem that does not have a satisfactory resolution (2012). Thus, different ethical choices on an ethical dilemma could be made, but this does not justify any choice as being ‘wrong’ or ‘right.’ The definition of ethics varies from one nurse to another and would normally be shaped by experience, values and beliefs of an individual nurse. The code of ethics with respect to the

Business Ethics Essay Example | Topics and Well Written Essays - 1000 words - 13

Business Ethics - Essay Example The work dwells on the notion of business ethics. The author points out that different nations and cultures have different values and moral principles that form their ethics. Consequently, it can be said that the principle of business ethics is understood by different nations and cultures differently. So, the goal of the given work is to present thoughts and ideas which have some impact on diverse national, cultural and universal understandings of business ethics. For this purpose, the author tries to define the concept of ethics and business ethics. The author reminds certain standards of behavior and decision-making are already prescribed by laws, regulations, and codes of conduct . Globalization helps to standardize and spread certain norms all over the world for them to be imposed onto people and businesses. The author comes to the conclusion that moral and ethical dilemmas are a frequent problem that companies face working in foreign markets and cultures. However, international guides, like the Global Compact of the United Nations, help businesses to orient and direct their internal corporate cultures in such a way that they bring local cultures closer to international levels of ethical awareness. The author shows that similarly, ethical rules of organizations will be continuously re-settled or re-described as external environment changes. It can be assumed that such rules will be improving and changing for better because ethical behavior of a business is one of the determinants of that company’s success and level of competitive advantage.